“His programme was carefully crafted to present a very wide variety of repertoire while creating an overall sense of shape. His poise, technical command and musicality were never in doubt, but the outstanding feature of his playing was his ability to elucidate the structure of the music. This reached its climax in a spellbinding account of Michael Tippett’s Sonata No 3. This taxing work held the audience enthralled and he received a tremendous ovation.”
— Claire Tocknell, Musical Director of the Church Stretton Arts Festival
“His coherent and deeply felt Beethoven (the E major Sonata op 109) was followed by two vital and colourful Debussy Preludes. These led logically to the rarity on the programme: the sixth and last of Ligeti’s epochmaking Etudes Book One, “Automne à Varsovie” (Warsaw Autumn). Having given the UK premiere myself, I know how blisteringly difficult the piece is, yet Lee Jae gave an effortlessly fluent account which, more importantly, found the musicality and haunting poetry in this most beautiful of contemporary etudes.”
— Julian Jacobson, renowned British concert pianist and BPSE Chairman
Lee Jae Phang
Malaysian pianist Lee Jae Phang began studying seriously for a career in music when he was
awarded a full scholarship to study as a specialist pianist at the Wells Cathedral School (WCS) in
Somerset, England, UK.
There, he was taught by John Byrne, Head of Keyboard and a Professor of Piano at the Royal College
of Music in London, and enjoyed numerous competition successes. Among many other awards, Lee
Jae was named the ‘Most Outstanding Young Pianist of the Year’ at the Mid-Somerset Competitive
Festival in 2009. He also performed at the prestigious St. Martin-in-the-Fields in May that year after
winning a prize at the 13th EPTA (UK) Piano Competition. During his studies, Lee Jae was also
selected for two tours to Hong Kong on behalf of the school, performing as a soloist and
accompanist. The venues he performed at included the Hong Kong Academy of Performing Arts, the
Hong Kong Institute of Education, The Peninsular Hotel, and the Foreign Correspondents Club. Lee
Jae graduated from Wells in 2012 with a performance of Liszt’s First Piano Concerto after winning
the Concerto Auditions. The performance took place in the magnificent Wells Cathedral with
conductor Christopher Adey and the school’s symphony orchestra.
In September 2012, Lee Jae continued his musical education at the Royal Northern College of Music
(RNCM) in Manchester, studying with the Head of School of Keyboard Studies, Graham Scott, and
graduating 5 years later with a Master of Music in Performance with Distinction. In 2017, Lee Jae
was also admitted as a Fellow of the Royal Schools of Music with Distinction.
At the RNCM, Lee Jae continued to expand on his musical activities, performing in many of the
college’s programmed public events as a pianist in different roles; for example, he has appeared in
RNCM Monday Lunchtime Recitals, Piano Days, Keyboard Festivals, Chamber Music Festivals, and
performed at the 2016 RNCM New Music North West Festival.
Outside college, he made regular recital tours of the North-East, playing for the concerts organiser
Master Musicians in venues around Newcastle. He has also performed solo recitals at the Leeds
College of Music (as part of the Leeds International Concert Season), at the Northern Aldborough
Festival, and at the Church Stretton Arts Festival. In London, he was regularly invited to perform for
the Beethoven Piano Society of Europe (BPSE). Highlights include his performance of Tippett’s 3rd
Piano Sonata at their Tippett/Beethoven concert series to celebrate Tippett’s life and work on the
20th anniversary of his death in 2018; in 2020, Lee Jae’s performance of Beethoven’s Op. 22 piano
sonata was broadcast on their YouTube channel as part of their 2020 Beethoven anniversary
celebration, which had to be moved online due to the pandemic.
As a concerto soloist, Lee Jae worked with a variety of conductors and orchestras after making his
concerto debut with the WCS Symphony Orchestra. These include Mark Heron and the RNCM
Chamber Orchestra, Davide Levi and Nick Meredith and the West Yorkshire Symphony Orchestra,
Frank Lennon and the Burnley Orchestra, Dr. Martin Cook and the Shrewsbury Sinfonia, and Mihnea
Ignat and the Alicante University Symphonic Orchestra (as part of Music Fest Perugia, Italy).
Lee Jae is also a devoted chamber musician, collaborating with other musicians whenever the
opportunities arise. During his time at the RNCM, he led a piano trio (Trio Lazuli) for four years.
Committed to excellence, the trio performed at an RNCM Piano Trio Day and at many music series
around Manchester; the Monday Night Musicales in Cheadle, for example, who also awarded them
the organisation’s yearly performance award. The trio also undertook recital tours for Master
Musicians, venturing as far north as the Scottish Borders to perform at Mellerstain House for the
Borders Music and Arts Society’s 2014 concert series. Finally, they were selected to perform in a
public masterclass for the renowned Guarneri Trio Prague in the 2015 RNCM Chamber Music
Festival. Further inspiring encounters in the trio capacity included masterclasses with Kathryn Stott
(the duo partner of Yo-Yo Ma), Frans Helmerson (renowned cello pedagogue and performer), and
Gábor Takács-Nagy (founder member of the Takács Quartet and Chief Conductor of The Manchester
Camerata).
Following the disbandment of Trio Lazuli, Lee Jae joined a flute-violin-piano trio. Together, they
commissioned a new work from composer Laura Nadal Abellà, which received its public premiere at
a Coffee Concert Series in Didsbury in July 2017. In March that year, Lee Jae also performed Ligeti’s
extremely challenging Trio for Violin, Horn, and Piano at ‘Budafest’ (the RNCM’s 2017 Hungarian-themed chamber music festival) to high acclaim. His collaborators were the violinist Pijus Jonušas of the Elmore String Quartet and John Ryan, the Principal Horn of the London Philharmonic Orchestra.
Naturally, Lee Jae also took part in many competitions during his studies at the RNCM. The prizes he
won include the RNCM Mark Ray Recital Prize (First Prize) and the RNCM Helen Porthouse Paganini
Prize with violinist Oliver Baily. In 2015, he was also a winner of the RNCM Concerto Auditions. This
led to a concerto appearance with the RNCM Chamber Orchestra under the baton of conductor
Mark Heron in December that same year.
Graduating with a Bachelor of Music with First Class Honours in 2015, Lee Jae was awarded the Hilda
Anderson Dean Award (for solo work) and Musicales Prize (for Trio Lazuli). Lee Jae further added to
his list of achievements in 2016 by participating in a Beethoven piano sonata festival and masterclass
in Austria led by the renowned British concert pianist Julian Jacobson. There he won the Audience
Prize and the ‘1st Beethoven Performance Award of the Beethoven Piano Society of Europe &
Beethoven in Altaussee Festival 2016’ prize. His studies at the RNCM were generously supported by
the F W Wright Scholarship Fund, the Waverley Fund, The Helen Mackaness Award, a ‘Help
Musicians UK Postgraduate Award’, and an RNCM Bursary.
Building on his deep love and fascination for Ludwig van Beethoven’s music, today, Lee Jae has recorded almost all of Beethoven’s 32 piano sonatas. Totaling more than 11 hours of music, the sonatas rank amongst the highest Himalayan peaks of a
pianist’s repertoire. He looks forward to presenting his
first live sonata cycle to audiences in the near future.